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Favourites of the Moon

The tale focuses on 2 things, a rare set of 18th-century Limoges china, as well as a 19th century refined portrait. As these things are passed, marketed, or stolen from one personality to one more, a woozy round dancing of excess begins to form, one which suggests that if history doesn't repeat itself, it certainly rhymes. Together with co-writer Gérard Brach, whose other co-writing debts consist of Repulsion and Tess, Otar Iosseliani uses a feather-light touch to expose the futility of class and also social order, making a bagatelle of the concerns of abundant as well as bad alike.

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